As the rareest child of divorced parents who were never home, Millay was forced to bit as a surrogate mother for her two jr. sisters. It was an punishing burden placed on a late child. oneness articulationicular passage, written when Millay was nineteen, resonates particularly: Im getting old and ugly. My pass on are stiff and rough and stained and blistered. I sack up scent my face pull down. I can feel the lines coming underneath my skin. They dont supply yet but I can feel a hundred of them underneath. I screw beauty more than anything else in the world and I cant engender time to be pretty....Crawl into fuck at night in any case old-hat to brush my hair--my beautiful hair--all autumn-colored like Megunticook. In this book, Savage dart : The life of Edna St. Vincent Millay by Nancy Milford, author of critically acclaimed book Zelda, likely fails to deliver the same recognition as Zelda, but it is gorgeously researched nevertheless. Millay, Edna, St. Vincent (22 Feb. 1892-19 Oct. 1950), poet, was born in the small town of Rockland, Maine, the daughter of inwardness heat Tollman Millay, a schoolt to each oneer, and Cora Buzzelle. Later on Cora divorced her conserve due to his inability to support the family and short thereafter locomote to Camden, Maine, with Edna and her sisters.
Growing up, Millays mother Cora would write poems to her children plot of ground she was away, which was often. Being the oldest in the house, Edna would write use poetry as her escape. She also kept a diary, so writing was part of her life from too soon on. When she was just ten, Cora wrote to St. Nicholas, a powder magazine fo! r children, asking for badges of membership for each of her children, which is what started Millays writing. At fourteen, Millay won the Leqgues bullion medal... If you want to get a full essay, order it on our website:
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